• Hall & Oates Tour
• Hall And Oates Concert Review

Feb 2, 2018 - Hall and Oates have sold an estimated 40 million records throughout. Greatest Hits – Rock'n Soul Part 1.rar – 91.1 MB Greatest Hits Live.rar. Livetime Beauty On A Back Street Along The Red Ledge X-Static Voices. X-Static Hall & Oates. Released 1979. X-Static Tracklist. The Woman Comes and Goes Lyrics. Wait for Me Lyrics. Portable Radio Lyrics. All You Want Is.

Daryl Hall & John Oates – Voices (1980) [MFSL 2013]
PS3 Rip ISO SACD DSD64 2.0 > 1-bit/2.8224 MHz 44:02 minutes Scans included 1,78 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz Scans included 880 MB
Mobile Fidelity Sound Lab # UDSACD 2114 Genre: Rock

At the close of the ’70s, Hall & Oates began inching toward a sleek, modern sound, partially inspired by the thriving punk and new wave scene and partially inspired by Daryl Hall’s solo debut, Sacred Songs, a surprising and successful collaboration with art rock legend Robert Fripp. While 1979’s X-Static found the duo sketching out this pop/soul/new wave fusion, it didn’t come into fruition until 1980’s Voices, which was their creative and commercial breakthrough. Essentially, Voices unveils the version of Hall & Oates that made them the most successful duo in pop history, the version that ruled the charts for the first half of the ’80s. During the ’70s, Hall & Oates drifted from folky singer/songwriters to blue-eyed soulmen, with the emphasis shifting on each record. On Voices, they place their pop craftsmanship front and center, and their production (assisted by engineer/mixer Neil Kernon) is clean, spacious, sleek, and stylish, clearly inspired by new wave yet melodic and polished enough for the mainstream. Thanks to the singles “Kiss on My List” and “You Make My Dreams” (and, to a lesser extent, their remake of the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling” and the original version of the heartbreaking ballad “Everytime You Go Away,” later popularized by Paul Young), the mainstream enthusiastically embraced Hall & Oates, and the ubiquitousness of these hits obscures the odder, edgier elements of Voices, whether it’s the rushed, paranoid “United State,” tense “Gotta Lotta Nerve (Perfect Perfect),” the superb Elvis Costello-styled “Big Kids,” the postmodern doo wop tribute “Diddy Doo Wop (I Hear the Voices),” or even John Oates’ goofy “Africa.” Apart from the latter, these are the foundation of the album, the proof that the duo wasn’t merely a stellar singles act, but expert craftsmen as writers and record-makers. The next few albums were bigger hits, but they topped the charts on the momentum created by Voices, and it still stands as one of their great records.

Tracklist:
01. How Does It Feel To Be Back
02. Big Kids
03. United State
04. Hard To Be In Love With You
05. Kiss On My List
06. Gotta Lotta Nerve (Perfect Perfect)
07. You’ve Lost That Lovin’ Feeling
08. You Make My Dreams
09. Everytime You Go Away
10. Africa
11. Diddy Doo Wop (I Hear The Voices)

Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA.

SACD ISO

mqs.link_HallatesVices1980MFSL2013SACDIS.part1.rar
mqs.link_HallatesVices1980MFSL2013SACDIS.part2.rar

FLAC 24bit/88,2kHz

There's one thing wrong with The Very Best of Daryl Hall & John Oates, and it's minor -- the promotional 12' mix of 'Adult Education' is included in favor of the 7' version. This isn't a big deal and it doesn't mar what is the best overview of Hall & Oates' RCA years, the era when they became the biggest-selling duo in the history of rock. If the Atlantic years were more adventurous, dabbling in folk and album rock, The Very Best of demonstrates the virtues of consistency, since these blue-eyed soul songs rank among the very finest singles (and songs) of their time. And Hall & Oates weren't unadventurous, either, since they deftly blended elements of new wave, contemporary soul, and soft rock into their signature sound. Most impressively, smaller hits like 'Wait for Me' and the splendid 'Did It in a Minute' (easily one of the greatest songs they ever cut) more than hold their own alongside familiar items like 'Sara Smile,' 'You Make My Dreams,' 'Private Eyes,' and 'Maneater.' Hall & Oates may not have been hip, but they made addictive soul-pop that not only rocketed to the top of the charts but has stood the test of time as some of the best pop made during the early '80s.

Hall & Oates Tour

Hall And Oates Concert Review